At night-time, the new Musee Jean Cocteau looks like some predatory alien on the seafront at Menton. |
I was never greatly ‘into’ Jean Cocteau – until I visited
Menton many years ago.
At that time, a building, called ’Le Bastion’ (once a customs house on the
town’s harbour) housed a number of his works. Alan’s cousin, Marcel, had
once built a float in the shape of the ‘Bastion’ – entirely of oranges and
lemons – for the annual ‘Fête du Citron’,
for which Menton is famous.
Looking towards Menton from the museum. |
But it was the construction of a new museum on the sea front -
specifically to house a collection of Jean Cocteau’s work – from drawings and
paintings to theatre design, films and imagery, to his first love, poetry, that
encouraged me to learn more about him.
Cocteau did it all – painting, drawing, sculpture, ceramics,
cinema, theatre, novels, poetry, song, jazz drumming, choreography, fashion design – even
training boxers – you name it!
The museum, which opened only about five years ago, sits
like a predatory multi-legged spider on the sea front, not far from the old
covered market hall. I’m sure he would have loved its design.
Born in 1889, Cocteau developed an early love of cinema,
drawing and writing poetry, publishing numerous books of his poems. He mixed in
elite company, including Proust, Diaghilev, Stravinsky, artists such as Braque,
Derain, Picasso, Gris and Modigliani.
Cocteau in 1929 by Germaine Krull. |
In the 1920s he moved to the south of France. He loved
Menton, but also the entire region. He has works all along the coast including
an outdoor theatre he designed at Cap d’Ail, murals at Villefranche-sur-Mer and
Saint-Jean Cap Ferrat.
Cocteau designed not only the murals on the walls and
ceiling of the ‘Wedding Room’ at the Menton Town Hall, but also conceived the
carpet with its leopard motifs, the red velvet upholstered chairs and the
wrought iron candelabras.
He sketched portraits of Sarah Bernhardt, created posters
for the Ballet Russe, undertook newspaper illustrations, many self portraits –
often together with randomly-placed words which he sent to friends as letters.
He also collaborated with other artists.
Cocteau’s last film, ‘The Testament of Orpheus’ – an almost
surreal film – was partly shot in the quarries at Les Baux with photographer
Lucien Clergue. Cocteau had a lifelong fascination with the legend of Orpheus.
Although the museum holds 152 of his drawings, Cocteau
always saw himself primarily as a poet.
He died on October 11 1963, only hours after hearing of the
death of Edith Piaf earlier the same day.
The Musée Jean Cocteau houses Cocteau works collected by Séverin
Wunderman and is open every day except Tuesdays.
LEFT: Innamorati, The Sleeping Fisherman 1961 by Jean Cocteau.